NATACHE ABHANG

In the context of 'Natache Abhang',

With this request, the meaning of 'Abhanga which describes the special significance of Aradhya (Vitthala)' fits the abhangas of Tukobaraya's 'Nata'. (Considering Tukobaraya's lifetime, it can be said that Urdu-Persian words were common in the society as Yavani was in power.) If we look at the verb form of the word 'at', it means 'atane, jirun jaane, nahise hone'. The form 'Aate' is formed by adding a quantity to the word 'At'. ‘Na Aate’ means ‘that which is eternal’. At one place the saints say, 'The body is full of wealth. So ‘description of the final form without options’ means ‘abhang of the play’.

There is a philosophical interpretation of Nama that Nama is both a virtue and a non-virtue. But the same rule cannot be applied to Rupa, even if it belongs to God. In fact, Asti-Bhati-Priyatva are the principles derived from Brahma.

Naam and Roop are considered to be the work of Maya. But since Nama is also implicit in Nirguna, it is unlikely to be enchanted. Tukobarat says, 'Saguna nirguna tuj says Veda. Tuka says there is no difference. In this sense, Naam or eternal knowledge is constantly filling the universe.

The written word can be erased, but the meaning cannot be erased. That is why the word spoken is indestructible, says the scripture. Eternal philosophy is reflected in the abhanga of the play, which will not last until the seeker at any stage realizes it.


1 Vitthal amche jivan
2 Barwa zala Vevasav